Wednesday, 31 October 2012

Teaching of Batik Tye and Dye

Batik is a “resist” process for making designs on fabric. The artist uses wax to prevent dye from penetrating the cloth, leaving “blank” areas in the dyed fabric. The process, wax resist then dye, can be repeated over and over to create.

Batik is especially unique due to the way certain wax blends will “crackle” during handling, where fine cracks through the wax resist allow lines of color on resisted areas.

Batik can be done with many types of dye & wax on cotton, silk and other natural fabrics. Most weights will work, provided the wax penetrates all the way through the fabric, but the finer weaves work best for detail work. We used cotton, but feel free to use what you want. Silk is a little more challenging to work with because of its unique wicking properties.

Batik masters employ a process of repeated waxing and tub dyeing to achieve their final result. This method requires mastery of color mixing and over dyeing; as each layer of dye is applied over the last, a new color is produced. You don't have to be a batik master however to get some great fun results.

Basic Wax and Tub Dye Method
(Dyeing something a solid color is also known as Tub Dyeing.
This method uses repeated layers of wax and dye applied to the fabric, yielding an overlapping color design. If you plan to do multiple layers you will want to dye your colors from lightest to darkest.
Step 1: Pre-wash your fabric to remove any impurities that might interfere with dyeing. We recommend using Synthrapol for this.
Step 2: Pre-dye a few of your fabrics in some different base colors, we did some in #3 Golden Yellow and #25 Turquoise



Step 3: Start melting your premixed Batik Wax in the little melting pot, or for bigger projects, in a double boiler, electric wax pot, or old electric frying pan set at about 220-230° **


Step 4: Stretch the fabric on a Frame or Hoop, that will keep the fabric flat and horizontal or you can work on some newsprint paper or a piece of cardboard if you don't have a frame. This is often easier with larger pieces of fabric.

Step 5: Start applying your wax with tools of your choice...



A double spouted Tjanting can give you fun effects or parallel lines. We used it to make a wavy random design across this fabric.



You can use Tjanting tools to create detail and fine line designs. We used the single spout Tjanting to create this fun leaf pattern.

 


Remember: When applying wax, no matter what method you are using, regulate the temperature so that it penetrates the fabric; not so cool that it just turns yellowish and sits on top, and not so hot that all your lines spread out too much. The wax should have a clear appearance, indicating it has penetrated to the other side. Flip fabric over and apply wax anywhere it has not. Thin layers of very hot wax will often allow some dye to stain the fabric under the wax, whereas a thicker buildup will keep the wax off.






Step 6: Tub Dye the fabric, first using the lightest or brightest color that will be on the piece and will mix well with successive colors, for example yellow; then the next dye bath could be turquoise, which would actually mix with the yellow to dye the fabric green in all the un-waxed areas. Remember, after Soda Ash has been added to the dyebath, don't leave your waxed fabric in for more than 30 minutes more, as soda ash eats away the wax eventually, exposing areas to unwanted dye.

A double spouted Tjanting can give you fun effects or parallel lines. We used it to make a wavy random design across this fabric.



Brushes are very easy to use for larger designs and are a great way to get kids in on the fun. Make bold designs like circles, stripes and funky polkadots.

 



Step 7: Rinse and gently hand wash the fabric in Synthrapol and allow to dry. Use lukewarm water so as not to melt your wax!

Step 8: Repeats steps 2-6 above for each color you plan for your batik, waxing areas after each dyebath that you want to remain that most recent color, and re-waxing any areas that look eroded from the Soda Ash. Tub dye your darkest areas last.

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Step 9:Remove the Wax, using one of these methods:

Boil the wax out. Choose a pot to become your official wax pot that will comfortably hold your fabric and fill with water and a dash of Synthrapol, or other liquid detergent, to get the wax and any excess dye away from the fabric. Bring this to a simmer and add fabric. Stir the fabric around in the boiling water keeping it submerged. After a few minutes the wax will melt out of the fabric and float to the top. When the wax seems completely removed from the fabric, remove from heat and allow the water to cool. Be sure that the fabric sits on the bottom of the pan, avoiding the floating wax residue. You can weigh it down with rocks or something heavy. Allow to cool, then peel the hardened wax off the surface and remove the fabric

In Indonesia, wax designs are repeatedly stamped onto the fabric with intricate metal stamps made of copper called Tjaps or Caps (pronounced "chops") but you don’t need anything so fancy to start. We stamped this fabric with a squiggly potato masher (photo).



Iron the wax out. Sandwich your fabric between layers of absorbent paper and iron, to melt the wax out. This process often leaves a wax residue that looks like a grease spot and won’t come out, so it is not our favorite.

Step 10:Wash your fabric one last time in the washing machine with Synthrapol to remove any left over dye you couldn’t get out by hand. Dry your fabric.


Now you can get to sewing, quilting, wrapping or just hang it up because it looks so good you can’t bare to cut it up!

Pro-Tip:You can reuse this wax for your next project as long as the water has dried out of it.




Pro-Tip: You can make fun stamps out of just about anything that will take the heat of the wax: the cut ends of some veggies like celery bundles and bell peppers can make fun prints. Look around and experiment.


**Note: BE CAREFUL! If you heat the wax over 240°, it can give off toxic smoke or burst into flames! Work with hot wax in a well ventilated area (it gives off fumes), and never leave hot wax unattended!! In case of flaming emergency, DO NOT douse flaming wax with water! You can douse the flames with baking soda or a fire extinguisher. However, if you use the appliances recommended above, and exercise prudence and care, you should be able to control the temperature of the wax safely. We NEVER recommend using pots directly on the stove! Some folks are trying out our new Soy wax, which melts at a much lower temperature than the other waxes, reducing the chances of overheating. It is not as sturdy as the other waxes, especially on exposure to the soda ash, but folks are carefully working with its limitations because it is a renewable resource and totally non-toxic, including the fumes.

          Join us at Taakra Academy and learn the art of Creativity, create your unique design while enhancing your entrepreneurial skills. Registrations is ongoing at  Justice Oputa Foundation Building 12 Charly Boy 6th Ave. Gwarimpa Abuja. Phone 08033400798 or 07031002336


 
 
 

Monday, 22 October 2012

(TAAKRA) AFRICAN ARTS AND KRAFTS




In line with the ‘Can Do’ philosophy, Diane Oputa, an ambassador of African Arts & Crafts, and Producer of TAAKRA television Show, is committed to teaching by viewership, craft ideas that can be translated into productivity, thereby creating a platform for self-reliance and empowerment. Armed with knowledge and insight on the variety of art, Diane exposes Africa’s rich cultural heritage through using the program as an eyepiece. The program showcases cultural events from various origins in Nigeria and other African countries. 
By popular demand and with view to expand the scope, by taking Taakra TV a step further, a new member was added to the TAAKRA organization; Taakra Kraft Academy.TKA joined its stable with a team of professional tutors available to give hands on training in selected art and craft courses. With this we felt our viewers would gain hands on knowledge in a selected field.
This year TKA along with our NGO Finger Works Initiative, sponsored several skill requisition workshops and seminars to help identify other areas of self employment through arts and crafts.
One of our most recent projects is the Widow’s Empowerment program for the Zumutamata Archdiocesan body Gwarimpa Abuja. This training program is set to begin Oct 26th  to 28th Presently our request for enrollment in this program is a huge challenge due to lack of resources and funds. Therefore we are using this medium to solicit for support for this worthy cause from Government authorities (Local, State and Federal), Poverty alleviation organization, religious groups, international donor agencies, humanitarian organizations, corporate bodies and private individuals
For more information contact Admin Dept TKA 08023044009,08033400798,08035388482
 Help to alleviate poverty in our life time!
For listing of available summer courses visit Taakra.tv
Empower yourself with Diane Oputa
Taakra.tv
The Taakra.tv web-site is in its finishing stages and can be used as a search engine, where products and services can be found in the areas of hotels, tourism, car services, exciting vacation packages, shop.
An educative and informative site Taakra.tv will showcase cultural events, Taakra TV show online, tutorials and  instructional projects and cd’s, Visit our merchandise shop to purchase unique home furniture (Interiors), gift items and other art and craft products.
Address is @ GF9 Anafara'a plaza along 1st avenue Gwarimpa, Abuja.




Thursday, 18 October 2012

Taakra Teaching African Arts and Krafts TV Show



Mrs. Diane Oputa Executive Director New Wave Production A Producer, designer and actress, Mrs. Oputa remains a creative force within the organization working on award winning programs, (The Charly Boy Show, AIT Jams, and most recent her empowerment television program TAAKRA (Teaching African Arts and Kraft) is a T.V program that has its central theme; the pursuit of knowledge, information and enlightenment through the technical, education and entertainment path is currently syndicated on several television station locally and internationally The major objective of the program is to set a platform to which the teaching of arts and craft translate into productivity thereby helping each taught topic become a money making venture for the viewers, especially the unemployed. In the sprit of emphasizing her philanthropic commitment she has embarked on several projects, the Catholic Sisters in Christ Widows empowerment program, Secondary school out reach program, Taakra Craft Academy training school, and the Finger Works Arts and Crafts Initiative.



Late Susan Wenger: Adumi olosa of osun Oshogbo





 













This week on Taakra we'll be show casing the art of tapping palmwine from the trees in a local village called Shogbamu, Abeokuka in Nigeria West Africa.
Join us as we venture into the world of African art, craft and culture

 










The drum: Assorted drums for different cultural occasions ,be it joyous events, sad events or cultural events ,the drum and its sounds means different things to Africans.( Diane Oputaplaying the drum)

    talking drum


 

 









Diane Oputa at the stoned carved sculpture entrance of Susan Wenger’s house at Oshogbo, Osun state Nigeria.
Susan Wenger is known for her devotion to the Osun goddess and her sculptural prowess. Most of her sculptures are display within the Osun grove.





 African thread art design pattern by Lanre Job from Ibadan, Nigeria an episode on Taakra TV.











Diane Oputa at the stoned carved sculpture entrance of Susan Wenger’s house at Oshogbo, Osun state Nigeria.
Susan Wenger is known for her devotion to the Osun goddess and her sculptural prowess. Most of her sculptures are display within the Osun grove.