Wednesday 31 October 2012

Teaching of Batik Tye and Dye

Batik is a “resist” process for making designs on fabric. The artist uses wax to prevent dye from penetrating the cloth, leaving “blank” areas in the dyed fabric. The process, wax resist then dye, can be repeated over and over to create.

Batik is especially unique due to the way certain wax blends will “crackle” during handling, where fine cracks through the wax resist allow lines of color on resisted areas.

Batik can be done with many types of dye & wax on cotton, silk and other natural fabrics. Most weights will work, provided the wax penetrates all the way through the fabric, but the finer weaves work best for detail work. We used cotton, but feel free to use what you want. Silk is a little more challenging to work with because of its unique wicking properties.

Batik masters employ a process of repeated waxing and tub dyeing to achieve their final result. This method requires mastery of color mixing and over dyeing; as each layer of dye is applied over the last, a new color is produced. You don't have to be a batik master however to get some great fun results.

Basic Wax and Tub Dye Method
(Dyeing something a solid color is also known as Tub Dyeing.
This method uses repeated layers of wax and dye applied to the fabric, yielding an overlapping color design. If you plan to do multiple layers you will want to dye your colors from lightest to darkest.
Step 1: Pre-wash your fabric to remove any impurities that might interfere with dyeing. We recommend using Synthrapol for this.
Step 2: Pre-dye a few of your fabrics in some different base colors, we did some in #3 Golden Yellow and #25 Turquoise



Step 3: Start melting your premixed Batik Wax in the little melting pot, or for bigger projects, in a double boiler, electric wax pot, or old electric frying pan set at about 220-230° **


Step 4: Stretch the fabric on a Frame or Hoop, that will keep the fabric flat and horizontal or you can work on some newsprint paper or a piece of cardboard if you don't have a frame. This is often easier with larger pieces of fabric.

Step 5: Start applying your wax with tools of your choice...



A double spouted Tjanting can give you fun effects or parallel lines. We used it to make a wavy random design across this fabric.



You can use Tjanting tools to create detail and fine line designs. We used the single spout Tjanting to create this fun leaf pattern.

 


Remember: When applying wax, no matter what method you are using, regulate the temperature so that it penetrates the fabric; not so cool that it just turns yellowish and sits on top, and not so hot that all your lines spread out too much. The wax should have a clear appearance, indicating it has penetrated to the other side. Flip fabric over and apply wax anywhere it has not. Thin layers of very hot wax will often allow some dye to stain the fabric under the wax, whereas a thicker buildup will keep the wax off.






Step 6: Tub Dye the fabric, first using the lightest or brightest color that will be on the piece and will mix well with successive colors, for example yellow; then the next dye bath could be turquoise, which would actually mix with the yellow to dye the fabric green in all the un-waxed areas. Remember, after Soda Ash has been added to the dyebath, don't leave your waxed fabric in for more than 30 minutes more, as soda ash eats away the wax eventually, exposing areas to unwanted dye.

A double spouted Tjanting can give you fun effects or parallel lines. We used it to make a wavy random design across this fabric.



Brushes are very easy to use for larger designs and are a great way to get kids in on the fun. Make bold designs like circles, stripes and funky polkadots.

 



Step 7: Rinse and gently hand wash the fabric in Synthrapol and allow to dry. Use lukewarm water so as not to melt your wax!

Step 8: Repeats steps 2-6 above for each color you plan for your batik, waxing areas after each dyebath that you want to remain that most recent color, and re-waxing any areas that look eroded from the Soda Ash. Tub dye your darkest areas last.

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Step 9:Remove the Wax, using one of these methods:

Boil the wax out. Choose a pot to become your official wax pot that will comfortably hold your fabric and fill with water and a dash of Synthrapol, or other liquid detergent, to get the wax and any excess dye away from the fabric. Bring this to a simmer and add fabric. Stir the fabric around in the boiling water keeping it submerged. After a few minutes the wax will melt out of the fabric and float to the top. When the wax seems completely removed from the fabric, remove from heat and allow the water to cool. Be sure that the fabric sits on the bottom of the pan, avoiding the floating wax residue. You can weigh it down with rocks or something heavy. Allow to cool, then peel the hardened wax off the surface and remove the fabric

In Indonesia, wax designs are repeatedly stamped onto the fabric with intricate metal stamps made of copper called Tjaps or Caps (pronounced "chops") but you don’t need anything so fancy to start. We stamped this fabric with a squiggly potato masher (photo).



Iron the wax out. Sandwich your fabric between layers of absorbent paper and iron, to melt the wax out. This process often leaves a wax residue that looks like a grease spot and won’t come out, so it is not our favorite.

Step 10:Wash your fabric one last time in the washing machine with Synthrapol to remove any left over dye you couldn’t get out by hand. Dry your fabric.


Now you can get to sewing, quilting, wrapping or just hang it up because it looks so good you can’t bare to cut it up!

Pro-Tip:You can reuse this wax for your next project as long as the water has dried out of it.




Pro-Tip: You can make fun stamps out of just about anything that will take the heat of the wax: the cut ends of some veggies like celery bundles and bell peppers can make fun prints. Look around and experiment.


**Note: BE CAREFUL! If you heat the wax over 240°, it can give off toxic smoke or burst into flames! Work with hot wax in a well ventilated area (it gives off fumes), and never leave hot wax unattended!! In case of flaming emergency, DO NOT douse flaming wax with water! You can douse the flames with baking soda or a fire extinguisher. However, if you use the appliances recommended above, and exercise prudence and care, you should be able to control the temperature of the wax safely. We NEVER recommend using pots directly on the stove! Some folks are trying out our new Soy wax, which melts at a much lower temperature than the other waxes, reducing the chances of overheating. It is not as sturdy as the other waxes, especially on exposure to the soda ash, but folks are carefully working with its limitations because it is a renewable resource and totally non-toxic, including the fumes.

          Join us at Taakra Academy and learn the art of Creativity, create your unique design while enhancing your entrepreneurial skills. Registrations is ongoing at  Justice Oputa Foundation Building 12 Charly Boy 6th Ave. Gwarimpa Abuja. Phone 08033400798 or 07031002336


 
 
 

6 comments:

ekene meshack said...

i so much love this advanced method of batik making,i normally use foam to apply candle wax.till wishing you have a branch in lagos

Unknown said...

Dear Madame
I’m interesting to learn the Adire Eleko cloth method.
Please give me the information about “How To Make Adire Eleko cloth”
1. how to prepare the paste ( only use the cassava flour or add the other chemical like copper sulphate or alum and the others ?),
2. how to draw designs and what are tools used to draw,
3. how to dye the resisted cloth in indigo/natural dyes and how to seal the color/fixation color (so that the color does not fade),
4. and finally, how to remove the cassava from the finished work.
And How to make batik wax in Nigeria.
I am interested in the way of making batik wax in Nigeria. they do not use tjanting, but using foam that has a pointed tip. batik craftsmen in nigeria using foam and dipped in melted wax. I want to know, what kind of foam used, if the foam to wash the dish-washers is impossible because it is too soft, is it possible types of foam rather harsh? and how it made the melted wax, if the wax is mixed with water only then heated or added to other materials? so what kind of wax to use? I see a very dilute melted wax and hand of craftsmen no overheating when he dip in? What this might dilute the melted wax has cooled, after the heating process?
I hope you give me the information and please send to my email :
eddysoewantoro@gmail.com
Thanks Madame.
Greet from Indonesia.

Unknown said...

This is great! Please do you do online trainings

ade said...

please do you have studio in Lagos

Unknown said...

Am interested in dyeing of silk,chiffon

Unknown said...

Plz do you have a studio in Lagos, where you train students